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注意|关于指弹,我们是认真滴!2019亚洲原声吉他传奇电子游戏回放(四)

2019-8-29 22:59| 发布者: 巡警| 查看: 57| 评论: 0

摘要: 原创:指弹中国指弹吉他这是最后一期回顾,也是最能映现亚洲指弹吉他成长的一面镜子。来自马来西亚的Andy Negw,越南的Nga Dinh,以及日本的小松原 俊宏将为我们介绍属于他们国家的指弹历史。在世界指弹地图上,欧美 ...


 指弹中国 指弹吉他

这是最后一期回顾,也是最能映现亚洲指弹吉他成长的一面镜子。来自马来西亚的Andy Negw,越南的Nga Dinh,以及日本的小松原 俊宏将为我们介绍属于他们国家的指弹历史。



在世界指弹地图上,欧美人最先开拓了他们的疆土,最近的几十年,亚洲指弹也不断苏醒繁荣,虽然我们没有欧美指弹那样灿烂的过往,但我们有自己独特的文化和音符,我们感受生活的能力也不分伯仲。未来依旧可期。


小松老师在演讲时说:“比起时间开始的早晚,对音乐的感知以及才能才是最重要的东西。”希望所有喜欢吉它,喜欢音乐的朋友能够勤勉精进,共同为指弹世界出一份力量。


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历史总是惊人的相似,每个国家的指弹兴盛都从杰出的演奏家开始,慢慢发展到一些指弹组织,通过承办国内外演奏家的音乐会让人们认识指弹,再举办一些比赛让更多人参与到指弹世界。而Paddy Sun一首“Sunflower”就是越南指弹大爆炸的奇点。


越南指弹吉他 -  Nga Dinh



向上滑动阅览原稿


原稿:

Fingerstyle guitar in Vietnam

Fingerstyle guitar in Vietnam started only around 7 years ago. Before that, “playing guitar” is the term mostly used for people who follow professional “classic guitar” in music schools. Until the video “Sunflower” of Paddy Sun was released on Youtube in 2009, Fingertstyle Vietnam started to develop, every players would practice “Sunflower” as their first Fingerstyle song.


Vietnam Fingerstyle Organization was founded in 2012 by a guitar player named Do DuongTung. He learnt to play Fingerstyle by tabs and watching people play on Youtube. Even though he didn’t really study in music schools, that somehow encouraged other players who didn’t follow classic guitar to start playing Fingerstyle too. Since his tutorial videos of “Sunflower” were published on Youtube (and then other song tutorials of other guitarists like Yuki Matsui, Chen Liang,…) more and more people are interested in this new kind of playing guitar and more fingerstyle guitar clubs were established throughout the country.

However, only until 2015, with the first Fingerstyle concert held by Windstring Music, the Fingerstyle fans in Vietnam could experience the world class performance from famous Fingestyle artists, and for the first time they could enjoy “Sunflower” live on stage with Paddy Sun, it was a memorable concert. This really encouraged the Fingerstyle community in Vietnam to grow, and that led to many other artists like Tommy Emmanuel, Sungha Jung, Andy McKee, Justin King, Yuki Matsui,… to come after that. The first concert were held only in Hanoi, and now started to spread to other cities in the country like Hochiminh city and now Danang.


Since the successful of international artist concerts, which also draws the attraction from big music brands like Yamaha, there are many Fingerstyle competitions were held to help develop the guitar community to grow. For now, people in Vietnam started to have attention to this kind of music, which brings hope for the strong development of Fingerstyle in Vietnam in the future.


In the next few years, we hope to bring more and more international artists to Vietnam, make the Fingerstyle community grow bigger and stronger, because we believe this beautiful style of music has the strength to inspire and connect young people to develop the music scene in Vietnam.


译文:


越南指弹吉他


越南的指弹吉他仅仅从7年前才开始。在此之前,“吉他演奏”这个词主要用于那些在音乐学校专业学习“古典吉他”的人。直到2009年,Paddy Sun的演奏视频“Sunflower”在Youtube上发布,越南指弹才开始发展,每个玩家都选择练习“向日葵”作为他们的第一首指弹曲。


越南指弹组织由一位名叫Do DuongTung的吉他手于2012年创立。他通过观看Youtube上他人的演奏视频学习指弹。虽然他没有真正在音乐学校学习,但这正好鼓励了那些没有学过古典吉他的人去玩指弹。自从他的 “Sunflower”视频教程上传Youtube之后,(还有很多其他吉他手上传的各种曲目教程,如松井祐贵,陈亮......)越来越多的人对这种新式的吉他演奏感兴趣,并在全国各地成立了越来越多的指弹吉他俱乐部。


然而,直到2015年Windstring音乐公司举办的第一场指弹音乐会开始,越南的指弹粉丝们才得以现场感受到著名指弹演奏家的精彩表演,并且他们首次在现场欣赏Paddy Sun的“Sunflower”, 这是一场难忘的音乐会,对越南的指弹成长起了非常大的鼓励作用,而且也让许多其他艺术家,如Tommy Emmanuel,Sungha Jung,Andy McKee,Justin King,Yuki Matsui来到这里进行表演。在那时,第一场音乐会只在河内举行,现在开始传播到其他城市,如胡志明市和现在的岘港。


自从国际演奏会获得成功,吸引了雅马哈等大品牌的注意之后,还举办了许多指弹比赛,以帮助吉他团体壮大。 目前,越南人开始关注这种音乐,这为未来越南指弹的强劲发展带来了希望。


在接下来的几年里,我们希望带越来越多的国际艺术家来到越南,让指弹群体变得更壮大,因为我们相信这美妙的音乐风格可以激发和引导年轻人去发展越南的音乐文化。



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在马来西亚,指弹文化正处于孵化期,各种外部因素影响着马来西亚指弹版图的扩张,但总有人在努力,Andy老师也一直坚持自己所爱,希望老师的付出可以为马来西亚指弹开拓出一条康庄大道。(建议观看视频,现场演讲要比原稿丰富很多)


马来西亚指弹吉他  -  Andy Negw



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原稿:


Fingerstyle guitar in Malaysia


Fingerstyle Guitar scene in Malaysia had been growing steadily over the past few years when Sungha Jung had his concerts in Malaysia. This shows that the concert really affect the market in Malaysia.


Recently we are facing difficulties when more and more youngsters these day are attracted to EDM music and stuck to their digital tablet. These affect the Guitar industry.


Malaysia is a multiracial country and it is divided into 3 main races. This also divided when it comes to Music.


When it comes to Guitar usually Chinese and Malay are more interested to learn and play. However in most fingerstyle concerts, majority of audiences are Chinese. This shows that majority of the purchasing power comes from Chinese customers.


Same goes to the Guitar Education. There are more Chinese customers taking up Guitar lessons compared to the other races. However our Chinese population in Malaysia is less than 30% of the total country population.


Government support is also weak and mostly was used as a political agenda and corruption is very high and often used music events as a tool to get funding.


Economic impact is also a major issue major sponsors are also exiting the music industry due to the poor economic situation in Malaysia. Many artist suffered due to lack of funding and support from the government and private companies


Political instability also plays a major problem in Malaysia and they often use Religion to control music In Malaysia. That is why all the major concerts only happen in Singapore and Thailand but not Malaysia.


译文:


马来西亚指弹吉他


郑成和在马来西亚举办音乐会的过去几年里,马来西亚的指弹吉他一直在稳步发展。这表明音乐会确实影响了马来西亚的市场。


最近,当越来越多的年轻人被电子音乐吸引拿起他们的数字平板时,我们面临着困难。这些影响了吉他行业。


马来西亚是一个多种族的国家,它分为3个主要种族。这在音乐方面也有体现。


说到吉他,通常中国人和马来人对学习和演奏更感兴趣。然而在大多数指弹音乐会中,大多数观众都是中国人。这表明大部分购买力来自中国客户。


同样适用于吉他教育。与其他种族相比,有更多的中国客户参加吉他课程。然而,我们在马来西亚的中国人口不到总人口的30%。


政府支持也很薄弱,大多被用作政治企图,腐败程度很高,经常将音乐活动作为获取资金的工具。


由于马来西亚经济形势不佳,经济影响也是主要赞助商退出音乐产业的主要问题。由于缺乏政府和私营公司的资金和支持,许多艺术家面临困境。


政治不稳定在马来西亚也是一个主要问题,他们经常使用宗教来控制马来西亚的音乐。这就是为什么所有主要音乐会只发生在新加坡和泰国,而不是马来西亚。



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探讨亚洲指弹文化,就不得不提及日本。在日本深厚的音乐底蕴下,培养出了太多指弹大师,这些前辈带来的音乐让越来越多的人敲响指弹大门,如今,日式指弹已风行一世。以史为鉴,可以知兴替,日本指弹发展历史的背后有很多值得我们思考的地方。 


日本原声吉他发展简史 - 小松原 俊宏




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